Catanya

It's not often that I get someone to share facial tattoos here on Tattoosday, but the occasion arose last month while I was browsing at one of my favorite inkspotting locales, the Borders in Penn Plaza.

I was lucky to meet Catanya, who I noticed had interesting markings on her face, and I was compelled to ask her about the ink. She gladly posed and told me a little about the designs.

Catanya explained that she got her tattoos in the 1970's in New York. She was involved as a dancer in the art scene and eventually married a photographer and relocated to New Mexico and currently resides in Baja, California.

She referred to herself as a "gypsy tribal belly dancer hula hooper" and explained that the design on her forehead is a yin-yang, the tattoo on the right side of her face is Apache feathers, and that the left side and chin are Moroccan in their origins.

Catanya also told me that she had been photographed by someone named Stanley Stellar many years ago here in New York, and that he might have photos from those early days.

Thinking it would be great to have a photo of Catanya from when she was much younger with these tattoos, I tracked down Mr. Stellar and asked if he still had access to his photographs. He completely came through and forwarded this shot:

I certainly feel  fortunate to be able to share photos of the same tattoos, separated by thirty-three years.

Such an opportunity allows us to see an example of how one person has aged gracefully, along with her tattoos.

Catanya subsequently emailed me and elaborated on her tattoos and their history:

Back in the early 1970's I was part of a "tribal style" group of dancers and musicians from all over the world. The main things we had in common were our love of the Dance, world music, colorful costumes and even more colorful life styles. That included Henna, Kohl rimmed eyes and LOTS of Tattoos! We also sported plenty of nose jewelry!   The tattoos for all of us were personal and also tribal, (as can be seen in India, Morocco and other  exotic places around the world.) I do not think that any of us took our tattoo ceremonies lightly. 

I received my first tattoos in Venice, Calif. in 1973.

I like to think of it as an initiation ceremony. It was wonderful! Lots of music and dancing and plenty of red wine and good herbs.

My tattoos were applied the "old fashioned" way. India Ink, a needle and a broken pen.

They were done by two brothers from Cuba. They were also fantastic Conga drummers!

A few years later, I had a few more tattoos added to my collection. These were executed by a wonderful tattoo artist, Boyd, in Taos, New Mexico.

I do not regret any of my tattoos and find as the years go by that I am actually "earning" them. I am becoming them. They ARE a personal manifestation of my journey in life.

As my friend Walter once said to me, (referring to my Eagle feathers tattoo), "Catanya, when I look into your eyes, I see that you are growing your real Eagle feathers."

Walter Chappell and Catanya, Santa Fe, New Mexico, 1985
© 1985, 2008 Robert Saltzman

The photo above was taken by Catnya's husband about eight years after Mr, Stellar's photo, with the late photographer Walter Chappell, their friend quoted by Catanya in her testimony.

I want to profusely thank Catanya for allowing me to photograph her and for sharing her tattoos with me, and all of us here on Tattoosday! It's an encounter like this that really stands out among the hundreds I have had over the last few years. To be able to see how someone has so gracefully and proudly worn their tattoos over time is truly an honor and a blessing.

I also want to thank Stanley Stellar for sharing his photograph of Catanya from so many years ago. You can see more of Mr. Stellar's photography here. Be sure to check out his wonderful tattoo photos under the "images" section.

Happy Halloween from Tattoosday!

Here at Tattoosday, we're celebrating Halloween by posting the spookiest tattoo seen in the last month or so. Well, maybe not the spookiest, but certainly the most holiday-related tattoo:

This was offered up by Robert, who I met in Borders Penn Plaza last month. And yes, your eyes are not deceiving you, that is Frankenstein driving a Chevy (that's the stick shift he's gripping). Robert credits Adel at Addiction NYC with this tattoo.

Thanks to Robert for helping us celebrate Halloween here on Tattoosday!

Ashlee Channels Snow White

This work in progress is on Ashlee's arm:

The tattoo features Snow White at the top of the arm, with the witch's hand proffering an apple, wrapping around the arm:

Ashlee explained that the tattoo is commenting on how superficial the world is and how the idea of Beauty was the downfall of the title character, at least until she was rescued from her poison-induced slumber.

The tattoo is the work of Eric at King Pin Tattoos in Harker Heights, Texas. Work from Kingpin appeared previously in August 2008 on Tattoosday here.

Thanks to Ashlee for sharing her work with us here on Tattoosday!

Nesting Dolls and a Zombie, Courtesy of Kristin

Last month, I ran into Kristin at the Penn Plaza Borders store.

She has ten tattoos, but the piece on her shin was the first one I spotted:

These Russian nesting dolls represents the friendship Kristin has with her friend Kyle (thus, the merging of their names into "Kryle").

It was tattooed by Bret from Electric Tattoo in Pasadena, Maryland.

Kristin also shared another tattoo, one certainly more appropriate for our current season. Check out this amazing tattoo:

This cool zombie piece was inked by Kike Castillo at Timmy Tattoo in Huntington, New York.

Kristin says that Kike is one of her favorite artists and she is happy for him to provide her with great body art. "He needed someone," she told me, referring to this particular tattoo, and "I'm always game". Tattoo artists love clients that let them do their thing, and you can tell with this great piece of art.

Thanks to Kristin for sharing her cool tattoos with us here on Tattoosday!

Amanda's Phoenix

Amanda has two tattoos, one of which she shared with me at the end of August in the Penn Plaza Borders store.

This is the tattoo she designed:

Amanda was inspired by the "compelling mythology of phoenixes" and had Bobby at Modern Age Tattoo in Nanuet, New York, translate the design into the final product.

The quote, in Latin, "post tenebras lux" means "After darkness, light". This mirrors the life cycle of the mythological phoenix who dies, bound in flame, only to be reborn from the ashes. Clicking here will display the vast array of phoenixes that have appeared on Tattoosday previously.

In other words, even when things appear their darkest, affirmation is just within reach.

Thanks to Amanda for sharing this cool tattoo with us here on Tattoosday!

Gary's Three Knuckles Speak Volumes

I spotted Gary standing at the top of some escalators in Penn Station. As I passed him, I noticed he had knuckle tattoos so I stopped to ask him about them:

Gary explained that they are Korean characters

that translate to "Soo Bahk Do," or "The Way of the Striking Hand".

Soo Bahk Do is a form of martial arts that originated in Korea.

This unassuming gentleman has studied the form for seventeen years and is a third degree black belt. Gary studied at East Winds Karate in Port St. John, Florida.

The tattoo was inked at a shop on Eight Avenue in Bayonne, New Jersey.

Thanks to Gary for sharing his "striking" tattoo with us here on Tattoosday!

The Tattoosday Book Review: Kat Von D's The Tattoo Chronicles

You can say a lot of things about Kat Von D. She is arguably one of the most well-known tattoo artists in the United States, if not the world. This fact, to old school tattoo enthusiasts, is not necessarily a good thing. She is the star of the hit "reality" series, L.A. Ink, has her own make-up line at Sephora, and on October 26, her second book, The Tattoo Chronicles, is being released by HarperCollins Design. And whether you love her or hate her, it's hard to argue the fact that this book, like its predecessor High Voltage Tattoo, is a lovely effort that looks and feels amazing.

Like her first book (reviewed last year on Tattoosday here), Kat Von D lets you into her world, with glossy detailed photos of her work and clients. But whereas her first book shows mostly her public persona, the new effort gives us an inside look at the inner thoughts and feelings of someone who is portrayed very much as a "character" on her television show.

It is L.A. Ink that has brought her fame, yet also the scorn and scrutiny of her detractors. The new book lets us peek behind the scenes and, if you didn't realize this already, the Kat Von D you see on the show is not the whole package. Through a diary/journal format, the reader is granted greater access to Kat's true emotions and feelings. We finally get to peek behind the character Kat Von D and meet the person.

It was on Page 44 where I first felt the facade truly come down. She talks about getting booed in the shop by "fans" who resent that she won't drop what she's doing to pose for photos for them, and there is the matter of the stalker who freaked everyone out in the shop. Granted, these are consequences nowadays for success of her order, but you certainly believe that such consequences were not anticipated when she headed down the road to fame.

It is also fascinating to read Kat's frustration with the onset of another season of L.A. Ink. If you're looking for validation that the only thing real on the show is the tattoos, it's here. I was reminded of Charles Bukowski's strong aversion to poetry readings. He despised them, yet they were often necessary as sources of income. The spectacle often outshone the poems. Similarly, L.A. Ink's forced drama often swallows up the tattoos, yet the drama drives ratings, which lets the series continue to showcase tattoos, which is why many of us tune in in the first place.

Whereas I found her journal entries fascinating, as I am sure most readers who are fans of the show will as well, there are still pages and pages of photographs featuring her work (drawings, sketches, and of course, tattoos) that are breath-taking in their beauty.

Viewers of the show  know that this book has been in the making for a while and it has found its way into plot points as well. Fans will also note that the author's relationship with Nikki Sixx, bassist for Mötley Crüe, runs throughout the volume (as it has in the reality series). However, 2010 has been a tumultuous year for the couple, having broken up, and then, quite recently, reportedly gotten back together. All that said, it's very interesting to read about the relationship with a future perspective.

Or, it isn't. If you're not interested in Kat's "personal" life, then perhaps you should pass on this book. I can see her detractors poring over the text, looking for evidence that reinforces their negative image of the artist, one that has been honed by the one-dimensional portrayal of her reality show and the tabloids.

For fans however, and the followers of Kat Von D's career, The Tattoo Chronicles, will be a treat, to be savored, an all-access pass to a window of her life, with a stunning visual guidebook to pore over, with evidence enough to back up her on-air claim of being so busy all the time.

My one criticism would be that we don't see enough of her tattoos, which is really what she is all about. I mean, sure it's interesting to see a full-page shot of her stuffed albino squirrels, but is it really necessary? I would have rather seen more art that she created, rather than collected.

However, in the end, I was delighted with the book. It really adds dimensions to one of the more dynamic celebrities in the tattoo industry. I doubt that it will turn detractors into fans, or fans into detractors, but it certainly provides those who admire Kat Von D for her art, a little more validation that she is a talented, complicated individual that can not only create amazing body art, but knows how to wow us with her pen, as well.